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Polar #1, Tate Gallery |
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Untitled #17 |
TONI ONLEY AS AN ABSTRACT ARTIST
Toni
Onley (1928 – 2004), best known by the public for his watercolour
landscapes, is also known in fine art circles as an important abstract
artist. In the 1960s he created complex, colourful canvas
collages, most notably the vortex images of the Polar series, that were followed, as if in reaction, by the austere minimalist paintings of the Zone and Limit series.
Toni’s
abstract work of the early 1960s is considered by fine art historian
Roald Nasgaard to be part of a Vancouver-centred movement he
terms lyrical abstraction (Abstract Painting in Canada, Douglas & McIntyre, 2007, Chapter 5). Nasgaard describes Toni’s work in detail on pages 139-140.
In the 1970s Toni gradually returned to landscape and since then has
always painted landscape. But during the 1990s, he also produced a
large body of mixed-media abstract collages. This parallel return
to abstraction eventually resulted in the vibrant, intriguing large
collages of 2000 to 2003, such as this one from an exhibition entitled The Chaos of Love. |